MILITARY ADVISOR FOR FILM AND TV

CREDIBLE MILITARY MOVEMENT, BEHAVIOUR,
FORMATIONS AND REALISM FOR SCREEN

From Specialist units to large-scale formations

Show reel

TESTIMONIAL

Chris Newman

Producer of Games of Thrones
1st Assistant Director Band of Brothers

“I have known Pat since 2000 when we worked together on Band of Brothers. Since then I have had need of his calm organisational skill and understanding of how to get the most from untrained actors and supporting artists in any scenario, not just military recreation.

Taking that responsibility away from the on set crew, being mindful of safety and engendering a feeling of being involved in a worth while endeavour brings the results you want on screen.”

Selected Productions

What I do

I work with directors, actors, stunt teams and supporting artists to create credible military movement, behaviour and screen realism. From small specialist units to large-scale formations, my role is to help establish disciplined, era-appropriate performance that serves the story, camera and production.

Where required, my work extends across departments, collaborating with weapons, costume and production teams to support accurate handling, equipment, terminology and military dialogue, maintaining consistency and realism throughout the production.

This work is built on prior military service with the Parachute Regiment and professional film and television experience dating back to Band of Brothers in 2000.

LARGE FORMATIONS AND BACKGROUND ACTION

Coordinating and training groups of supporting artists to move, react and hold formation with military discipline and screen credibility. Working alongside stunt teams, ADs and directors, training focuses on rhythm, spacing, timing, command response, battlefield behaviour and controlled movement in depth. Acting as the military command-and-control link on set, I help translate direction from the AD department into clear, disciplined movement for large groups — making large-scale action feel organised, authentic and visually powerful.

MOUNTED AND ANIMAL AWARE ACTION

My focus is on the military activity around the horses — gradually building noise, movement and battlefield atmosphere in controlled stages to help acclimatise them safely. This includes preparing ground soldiers and supporting artists, creating safe lanes and columns, managing spacing and command response, and helping scenes feel battle-ready for camera while remaining practical, disciplined and safe.

Experience also includes working around camels and elephants in period and military settings, with the same focus on awareness, spacing, discipline and safety.

SCRIPT, PROTOCOLS & MILITARY DETAIL

Advising on the military detail that supports believable performance and production design. This can include reviewing scenes, action beats, terminology, rank structure, commands, protocols, equipment use and military behaviour to ensure the world of the story feels credible.

Whether working from the script, during rehearsals or on set, the focus is on giving directors, performers and departments clear, practical guidance that supports realism, continuity and the needs of the production.

MISSION STATEMENT

Collaboration first. Authenticity at the core

My mission is to help productions create a military world that feels credible, purposeful and right for the story.

That begins with trust, communication and strong working relationships. I believe the best results come from understanding the director’s vision, listening to the needs of each department and finding practical ways to bring those elements together on screen.

Authenticity should support the creative process, not restrict it. My role is to provide clear, workable advice that gives actors and supporting artists confidence, helps departments work together and allows the production to achieve military realism without losing sight of character, story or spectacle.

From Military Service To Film Sets

I genuinely love this job. It has taken me around the world to places and cultures I might never otherwise have known, and in many ways it reminds me of my military experience. It is more than a job; it becomes a way of life.

Every production begins another journey: new challenges, remarkable people, lasting friendships and the shared excitement of knowing that what we are creating could blow an audience away.

I value the camaraderie with the soldiers, actors and supporting artists, and the trust placed in me by producers, directors and stunt coordinators. With that trust comes responsibility and a determination to deliver. My expectation is always the same: whatever is asked of us, we are going to nail it.

Months later, watching the finished result on screen brings an enormous sense of pride, not only in what the audience sees, but in everything behind it: the preparation, teamwork, pressure, laughter, friendships and shared belief that we were creating something special.

There is also a special sense of pride when someone asks, “Did you work on that?” In that moment, all the memories we created come flooding back — the people, the locations, the challenges and everything it took to bring that world to the screen.

It is an extraordinary role to have, and one I would never have imagined existed as a child. Somehow, life led me into this remarkable world, and I still feel fortunate to be part of it.

Built on service. Refined for screen

Military Service with the parachute regiment.
Screen experience from Band of Brothers to major international film and television productions.

lets bring realism to your production

Available for consultation on feature films and television

info@militaryadvisorfilm.com
+44 7777 123456
UK Based | Available Worldwide

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